Miriam Mörsel Nathan
Miriam Mörsel Nathan's work is process based as she seeks to connect disparate elements & fragments in her works on paper.
Her work is included in the exhibit Creative Quest: Art from the Holocaust’s Second Generation at Howard Community College, Columbia, MD as well as in Not Strictly Painting, Juror Foon Sham, in 2021 and SHIFT, Juror Sarah Tanguy, in 2020, both at the McLean Project for the Arts. She had a solo show at the McLean Project for the Arts, McLean, VA in 2019 & exhibited in the Jerusalem Biennale in 2019.
Recent exhibits also included Site:Brooklyn Gallery, Brooklyn, NY, The Goldman Art Gallery, Rockville, MD & Ceres Gallery, NYC/ Juror Sara Softness, The Brooklyn Museum.
A grant recipient from the Arts & Humanities Council of Montgomery County, MD, she has received Fellowships in Visual Arts & Poetry from the Virginia Center for the Creative Arts & the Morris & Gwendolyn Cafritz Foundation.
Her poems have appeared in Gargoyle, Hampden-Sydney Poetry Review, Sojourner: The Women’s Forum; GW Forum; Northeast, Moment Magazine, Arts & Letters: Journal of Contemporary Culture, The Bitter Oleander, Poet Lore and the anthologies The Breath of Parted Lips: Voices From the Robert Frost Place, Volume 2 (CavanKerry Press, Ltd., 2004); Cabin Fever: Poets at Joaquin Miller’s Cabin, 1984-2001(The Word Works, 2003 and Daughters of Absence (Capital Books, 2000).
Mörsel Nathan’s work will be used for Cover Art for the little book of e, a collection of haiku by E. Ethelbert Miller and was the Cover Image for Annie Kim’s poetry collection, Into the Cyclorama, winner of the 2015 Michael Waters Poetry Prize. Her work was also used as the poster image for the World Premiere of Jan Hamer’s opera Lost Childhood, an Opera UCLA production in May, 2019.
Her work is included in the exhibit Creative Quest: Art from the Holocaust’s Second Generation at Howard Community College, Columbia, MD as well as in Not Strictly Painting, Juror Foon Sham, in 2021 and SHIFT, Juror Sarah Tanguy, in 2020, both at the McLean Project for the Arts. She had a solo show at the McLean Project for the Arts, McLean, VA in 2019 & exhibited in the Jerusalem Biennale in 2019.
Recent exhibits also included Site:Brooklyn Gallery, Brooklyn, NY, The Goldman Art Gallery, Rockville, MD & Ceres Gallery, NYC/ Juror Sara Softness, The Brooklyn Museum.
A grant recipient from the Arts & Humanities Council of Montgomery County, MD, she has received Fellowships in Visual Arts & Poetry from the Virginia Center for the Creative Arts & the Morris & Gwendolyn Cafritz Foundation.
Her poems have appeared in Gargoyle, Hampden-Sydney Poetry Review, Sojourner: The Women’s Forum; GW Forum; Northeast, Moment Magazine, Arts & Letters: Journal of Contemporary Culture, The Bitter Oleander, Poet Lore and the anthologies The Breath of Parted Lips: Voices From the Robert Frost Place, Volume 2 (CavanKerry Press, Ltd., 2004); Cabin Fever: Poets at Joaquin Miller’s Cabin, 1984-2001(The Word Works, 2003 and Daughters of Absence (Capital Books, 2000).
Mörsel Nathan’s work will be used for Cover Art for the little book of e, a collection of haiku by E. Ethelbert Miller and was the Cover Image for Annie Kim’s poetry collection, Into the Cyclorama, winner of the 2015 Michael Waters Poetry Prize. Her work was also used as the poster image for the World Premiere of Jan Hamer’s opera Lost Childhood, an Opera UCLA production in May, 2019.